Gérard Grisey
Partiels for 18 musicians (1975)

Igor Kefalidis
Apophonie for two pianos, electronics and video (2016)

Charles Ives
The Unanswered Question for chamber orchestra (1906)

Vladimir Tarnopolski
Cassandra for large ensemble (1991)

Igor Stravinsky
Scherzo à la russe version for ensemble of Kirill Umansky (1944/2017)

Georgy Dorokhov
Manifest for 3 polyfoams (2009)

Daria Zvezdina
no-shelled for flute, violin, piano and sine tone (2018)

Peter Ablinger
Regenstück (from «Instruments &») for ensemble, water and membrane (2007) Russian Premiere

____________________

20:00
Discussion 1

Anatoly Osmolovsky, visual artist, art theorist, founder of the BAZA Institute

Simon Mraz, cultural attaché at the Austrian Embassy in Moscow, director of Austrian Cultural Forum in Moscow

Klaus Lang, composer, special guest of the festival (Austria)
____________________

21:00
Dmitry Burtsev
Body, My Traitor for accordion solo (2016)

Pavel Polyakov
What Flowers Tell Me for violin (2019) World Premiere

Kirill Shirokov
Seventeen Fragments of Music for solo viola (2016) /
Numbers, version for 12 performers (2018/2019) World Premiere

Klaus Lang
The Ocean of Yes and No for ensemble (2008) Russian Premiere
____________________

22:00
Discussion 2

Composers participating the concert

Performers:

Pavel Polyakov, violin

Studio for New Music Ensemble
Igor Dronov, conductor

Multimedia Project «Double Jeu» (2019)

Russian Premiere

Jesper Nordin
Calm Like a Bomb

Alexander Vert & José Miguel Fernandez
Double Jeu

Jesper Nordin
Ashes in the Fall

Performers:
Ensemble Flashback (France)
Diego Tosi, violin
Thomas Pénanguer, digital visual artist
____________________

20:00
Discussion

Diego Tosi, violin player of the Ensemble Intercontemporain, guest of the festival (France)

Alexander Vert, composer, director of the Flashback ensemble, guest of the festival (France)

Thomas Pénanguer, digital visual artist, guest of the festival (France)

Pierre Schaeffer, Pierre Henry
Symphonie pour un homme seul (1949–1950, fragments)
4. Erotica
9. Eroica

Mauricio Kagel
Zehn Maersche um den Sieg zu verfehlen for wind instruments and percussion (1978–1979) Russian Premiere
№№ 1, 2, 3, 9, 10

Alexey Sioumak
Hero's Last Dance for solo flute (2019) World Premiere

Nikolay Popov
Edit(a)Fill multimedia composition (2015)
video artist — Alexander Plakhin and Alexandra Golikova

Erwin Schulhoff
Sonata Erotica for female voice solo (1919) Russian Premiere
_____________________

20:00
Discussion

Igor Kondakov, professor of the department of history and theory of culture of RSUH, author of the book «Russian Mass Culture: from Baroque to Postmodern»

Anatoly Osmolovsky, visual artist and art theorist, founder of the BAZA Institute

Klaus Lang, composer, special guest of the festival (Austria)
_____________________

21:00
Bernhard Lang
Monadology XVI “Solfeggio” for flute (2011) Russian Premiere

Klaus Lang
Darkness and Freedom for flute, cello and accordion (2016/2017) Russian Premiere

Mauricio Kagel
Zehn Maersche um den Sieg zu verfehlen for wind instruments and percussion (1978–1979) Russian Premiere
№№ 8, 7, 6, 5, 4

Performers:

Manuel Zurria, flute (Italy)

Nadezhda Meyer, soprano
Alexey Smirnov, stage director

Nikolay Popov, electronics

Studio for New Music Ensemble
Sergey Akimov, conductor
_____________________

21:30
Alexey Sysoev
Wallpapers 3.2.24 (2019)

Performers:

Alexey Sysoev, piano / percussion / stepper motors
Vladimir Gorlinsky, guitar
Daria Zvezdina, viola
Dmitry Burtsev, accordion
Vasilisa Filatova, violin

18+

François Sarhan
Ô Piano for speaking pianist, piano and prerecorded sounds (2012–16) Russian Premiere

Stefan Prins
Piano Hero #1 for midi-keyboard, live-electronics & video (2011–2012) Russian Premiere

Alec Hall
A Dog is a Machine for Loving for speaking pianist and electronics (2016–2018) Russian Premiere

Performers:
Stephane Ginsburgh, piano (Belgium)
Alec Hall, electronics (Canada)
____________________

20:00
Discussion

Irina Sirotkina, leading research fellow of the Institute for the History of Science and Technology of the Russian Academy of Sciences, historian of psychology and anthropologist

Roman Nasonov, associate professor of the foreign music subdepartment of Moscow Conservatory

Stephane Ginsburgh, pianist, guest of the festival (Belgium)

Alec Hall, composer, guest of the festival (Canada)
____________________

21:00

Salvatore Sciarrino
All’aure in una lontananza for flute (1977)

Kaija Saariaho
Dolce Tormento for piccolo (2005) Russian Premiere

Matthew Shlomovitz
Left Right Up Down Pogo for flute and physical actions (2014) Russian Premiere
____________________

21:30
Vladimir Gorlinsky
10 Orpheus Songs for voice, artificial reverberation and delay (2018) World Premiere

Performers:
Vladimir Gorlinsky, voice
Alexey Nadzharov, electronics

Music — Olga Neuwirth (2017)

The film “Die Stadt ohne Juden” which came out in 1922 was produced based on the anti-utopian novel of the same name by Hugo Bettauer. The book was written in the conditions of tide of antisemitism gaining power at that time resounding to it with a bitter satire: the writer narrates about the banishment of the Jews from Vienna.
The book was very popular in its time and became the most well-known work by Hugo Bettauer. In 1923 Hans Karl Breslauer began his work on creating the film. The producer altered a number of details, — in particular, he created the real Vienna into an imaginary Utopia. The greater amount of modifications and deviations from the original story were required in order to avoid problems with the censorship. During the exhibition of the film the Nazis were staging riots across the country, and in 1925 Hugo Bettauer was shot by a member of the National Socialist Workers’ Party.
For many years the film “Die Stadt ohne Juden” was considered to be lost. In 2015 it was found by chance at a flea market in Paris and passed on to the Austrian National Cinema Archive, where it was restored. Presently “Die Stadt ohne Juden” is acknowledged to be one of the most important Austrian films of the interwar period and the first cinematographic document directed against antisemitism.

The music of Olga Neuwirth was composed especially for the premiere of the restored version of the film which took place on November 7, 2018 at the Vienna Konzerthaus.

Russian Premiere